Nigerian-American Star Kiki Iriafen Named WNBA Rookie of the Month!
If you didn’t know her name before May 2025, you definitely do now. Kiki Iriafen has arrived—and she’s already making WNBA history. The Nigerian-American Washington Mystics forward has just been crowned the Kia WNBA Rookie of the Month, making her the first-ever Mystics player to receive the honour. Let’s be clear: she didn’t just show up—she dominated. A Rookie Stat Line That Reads Like a Veteran’s Résumé Across seven games in her first month as a pro, Iriafen averaged 13.9 points and 10.1 rebounds, while shooting an impressive 47.4% from the field. That performance ranked her: Oh, and she didn’t stop there. From May 18 to 25, Iriafen posted four consecutive double-doubles, a feat that only one other rookie—Natalie Williams in 1999—has managed in WNBA history. To top it off, she became the fastest Mystics rookie ever to hit 50 points and 50 rebounds. Not even the franchise’s greats moved that quickly. Joining the Legends—In Just One Month Let’s talk context. The last WNBA rookie to average at least 12 points, 10 rebounds, and over 47% shooting in their opening month? That would be Tina Charles in 2010. The last time any Mystics player hit that mark? Crystal Langhorne, fifteen years ago. In short, Iriafen’s doing what hasn’t been done in over a decade—on both league and franchise levels. And she’s doing it straight out the gate. What’s Next for Iriafen? Currently averaging 14.6 points, 10.0 rebounds, and 51.7% shooting in just 28.3 minutes per game, the 2025 No. 4 overall pick isn’t just meeting expectations—she’s exceeding them with poise, power, and precision.
Fara Homidi’s New Bronzer Compact Is A Minimalist’s Dream — And A Masterclass in Skin-Led Beauty
The latest addition to her tightly curated namesake line is the Essential Bronzer Compact — and, much like the brand itself, it’s a masterclass in slow, intentional beauty. Known for her minimalist yet meticulous makeup approach, Fara Homidi has spent over two decades painting faces for the likes of Off-White, Miu Miu, and more, establishing a signature that’s more about skin than spectacle. Her beauty brand carries that same ethos — only the essentials, crafted to perfection. The Essential Bronzer Compact, now available in the UK, is no exception. Retailing at £78, the bronzer comes in four skin-flattering matte shades designed with color theory in mind — so the payoff looks natural, never muddy or orange. Its cream-powder hybrid formula melts seamlessly into skin, delivering warmth without weight. “With an ethos of efficacy, excellence and slow beauty, this is my edit of high-performing, multi-purpose products,” says Homidi. And it shows — from the vegan, cruelty-free formula to the eco-conscious packaging, every element is built with thought, not trend. Where many brands thrive on constant newness, Homidi focuses on craft and consideration. Her growing capsule currently includes a face compact, lip compact, lip pencils, and a small edit of brushes — each one embodying her less-is-everything philosophy. This bronzer isn’t just about glow. It’s about intention. It’s for the ones who don’t need 12 steps to feel radiant — just one that actually works. The Fara Homidi Essential Bronzer Compact is available now at farahomidi.com and via select UK retailers.
“Iyalode” Brings Power, Patriarchy and Purpose to the Big Screen
Courage wears many crowns. In Iyalode, she builds her own. Opening in cinemas on June 6, Iyalode is the latest Nollywood period drama shaking up the genre with a fierce female lead at its centre. Directed by Adebayo Tijani and co-produced by Toyin Abraham and Kolawole Ajeyemi, the film blends historical gravitas with a deeply human story about power, legacy, and choosing a voice over silence. Set against a richly woven cultural backdrop, Iyalode follows the journey of a woman who dares to challenge the societal mould carved out for her. Rather than simply inherit authority, she redefines it—turning a traditional title into a personal mission. The ensemble cast is stacked with Nollywood powerhouses—Toyin Abraham, Kolawole Ajeyemi, Bukky Wright, Kehinde Bankole, Ibrahim Chatta, Peju Ogunmola, Aisha Lawal, and more—each contributing to a narrative pulsing with intensity and cultural resonance. While fictional, the film draws heavily from the lived realities of women in historical and contemporary Nigeria, offering commentary on gender roles, leadership, and resistance within patriarchal systems. It’s the kind of film that doesn’t just retell the past—it interrogates it. Iyalode joins a growing canon of Nigerian films that place complex female protagonists at the centre of period and political storytelling, continuing Nollywood’s turn toward narratives that are both grounded and grand. Watch the trailer here—and mark your calendars.
Carhartt WIP Drops New Womenswear for SS25
Utility just got a soft glow-up. Carhartt WIP is back with its Spring/Summer 2025 womenswear collection—and while it still packs that signature workwear punch, this season adds a delicate edge that feels refreshingly light. Shot through the dreamy lens of Paris-based photographer Fiona Torre, the campaign reads like a haze-drenched postcard from a summer spent somewhere between construction site chic and soft-focus art school. It’s all about contrast: rugged silhouettes meet whisper-soft textures, and structured classics are dipped in sun-faded hues that toe the line between utility and poetry. Anchored by the iconic W’ OG Active Jacket, the collection delivers the essentials you didn’t know you needed: slouchy graphic long-sleeves, cozy hooded sweatshirts and jersey basics that feel like forever pieces. There’s an unmistakable ease here—nothing feels forced, and everything feels lived-in. One of the standout twists? The utilitarian double-knee pant reimagined as a mini skirt—a clever nod to the brand’s blue-collar DNA, served with a wink. Meanwhile, jackets arrive in washed-out pastels and muted neutrals, looking like they’ve already soaked up a few days in the sun. Carhartt WIP’s SS25 drop proves that durability and softness aren’t opposites—they’re a power couple. Click through the gallery for a first look at Fiona Torre’s gauzy campaign imagery, and shop the full collection now on Carhartt WIP’s official website.
Eric Emanuel Levels Up With His First Ready-to-Wear Drop—and It’s a Summer Flex
The New York designer, best known for his cult basketball shorts and sporty hoodies, just unveiled his first-ever Spring/Summer ready-to-wear collection, and let’s just say: it’s still got game—but now it plays harder. For SS25, Emanuel serves a new kind of drip: think classic sports energy, reworked with breezy knits, buttery soft undergarments, cropped mesh jerseys and chunky stripes in colours that scream “meet me at golden hour.” It’s still him—but elevated. One standout? A cropped green mesh jersey stamped with a hot pink “91,” layered under a button-up that looks like someone bottled a beachside sunset. It’s chaotic in the best way—and weirdly, it works. Elsewhere, his signature shorts get a luxe glow-up. Now in plush cable knits and earthy tones, they’re paired with oversized tees and zip-up hoodies that feel made for boardwalk strolls or city rooftop hangs. Matching knit sets come dripping in bubblegum pink, lemonade yellow, and greens that basically taste like summer. The collection taps into Emanuel’s signature nostalgia—think throwback gym class but make it fashion—and gives it just enough polish to push it into new territory. Ready-to-wear may be new for the brand, but this lineup proves he’s not just testing the waters. He’s diving in. Peep the full campaign above and head to Eric Emanuel’s website to cop the SS25 drop. It’s not just a summer vibe—it’s the whole playbook.
Amelia Gray Brings Maximum Energy to PUMA’s Mostro Fey in ‘Pele Yellow’Auto Draft
The Mostro madness isn’t slowing down—and honestly, why should it?PUMA’s mutant sneaker-child—the Mostro Fey—is back in a new “Pele Yellow” colorway, and this time, she brought a plus one: Amelia Gray, certified it-girl and model muse du jour. Originally debuting as a futuristic riff on Mary Janes (yes, the shoes your childhood self and your fashion-girlie self can finally agree on), the Mostro Fey has evolved into PUMA’s most chaotic-good design flex. Part gorp-core, part Y2K glitch, and all attitude—this latest drop doubles down on its strappy silhouette and spiked sole, now dipped in a highlighter-bright yellow that’s impossible to ignore. In the campaign, Amelia Gray delivers off-duty cool in casual portraits that feel intimate but elevated—like your coolest friend just happened to get styled by an avant-garde sneaker archive. She even rocks a matching Mostro bag, because yes, we’ve officially entered the era of accessory-sneaker synergy. “I love that the Mostro is comfy, cool, and just really easy to wear,” Gray shares in the campaign press release. “It looks great with everything and instantly pulls the whole look together.” And honestly, she’s not wrong—Mostro’s weird-little-sneaker energy somehow does go with everything, whether you’re on the way to a rave, a reformer Pilates class, or just stalking your ex on a hot girl walk. Set to release June 5, the PUMA Mostro Fey in “Pele Yellow” isn’t just a colorway—it’s a personality. So go ahead. Get the shoes. Be that girl.
Rosé, Lewis Hamilton and Jay Chou Make Luggage Feel Existential in RIMOWA’s “Never Still” Campaign
What if your suitcase was your diary? That’s the question luxury travel house RIMOWA poses in the fifth chapter of its ongoing Never Still campaign—a polished yet personal exploration of how travel leaves its mark, literally and otherwise. This time, the campaign taps three global icons—BLACKPINK’s Rosé, Sir Lewis Hamilton, and Jay Chou—to unpack (pun fully intended) how movement shapes identity, purpose, and the stories we carry with us. Rosé, in her usual pensive pop-star elegance, reflects on how life on the move deepens her connection to creativity. “Every journey I take leaves a lasting impact,” she says. “Travelling the world only makes me realise just how much more there is to explore.” For someone who’s been on more private jets than the average passport holder has stamps, that’s saying something. But the campaign’s real star? Not the celebrities. The luggage.RIMOWA’s signature aluminium suitcases get a sentimental upgrade, reimagined as timeworn tokens of personal evolution. The dents? Not flaws—badges of honour. The peeling stickers? Emotional cartography. For Rosé, those stickers nod to her latest album drop. Jay Chou’s are peppered with tennis references (an ode to his not-so-secret obsession). Hamilton? Ever the high-speed philosopher, he lets the road—and the runways—do the talking. It’s a subtle but striking campaign that repositions luxury luggage as something less pristine and more personal. Less “aspirational accessory,” more “emotional archive.” And just like that, your carry-on now has character development. Check out the campaign visuals featuring Rosé above and browse the full collection now at rimowa.com.
Mahila Intimates’ “Move” Collection Is Here—Because Girlhood Deserves a Uniform Too
Mahila Intimates is back. And like any stylish woman worth watching, she took her sweet time. The London-based label—founded by sister duo Jasmine and Bella Muller—has returned a year after its 2024 debut with a second collection that’s giving “soft power girlhood” in all the right ways. Titled “Move,” the drop plays on comfort, confidence, and that very specific kind of femininity that doesn’t need to shout to be heard (but absolutely could, if she felt like it). Mahila, which started as both a fashion label and a community for women, isn’t just in the business of making cute fits. It’s a brand with a mission: championing women’s bodies, voices, and moods—with pieces that find the middle ground between cozy girlcore and snatched silhouette. Think: if your favourite boxer briefs had a thing with a ballet wrap top and the result was ethically made in London. The “Move” collection brings us sporty skorts, tanks, and cropped tops in three new hues—Lychee (a blush that’s basically a mood), Sea (your softest core memory), and Kohl (the drama). Everything’s designed to be worn together, apart, or however your group chat inspires you that morning. Mix, match, repeat. And in true Mahila fashion, it’s not just about the clothes. The campaign, shot by sports-meets-fashion darling Dani, gives the collection an IRL energy—equal parts studio glow and weekend ease. If you were looking for a reason to retire your sad old loungewear, this is it. “Move” drops June 3 on MahilaIntimates.com. Stretch, scroll, shop.
You’ve Got to See How the Stars Turned Up For Toyin Abraham’s Iyalode Premiere
Somewhere between high fashion and high drama, the stars pulled up to Toyin Abraham’s Iyalode premiere and asked: “What if your overly helpful aunty was also your stylist?” And honestly? We need her number. The official theme—“Dress Like an Over Sabi Aunty”—was one of those briefs that could’ve gone sideways fast. But in true Nigerian fashion, the celebs said, “Hold my gele.” And proceeded to do the most—with strategy, sparkle, and zero shame. For the uninitiated: “Over sabi” is Pidgin for someone who knows everything, says everything, and doesn’t care if you didn’t ask. Now imagine that energy, wrapped in organza, feathers, gold lamé, and more corsetry than a Renaissance fair. That’s what the red carpet looked like. There were sculptural shoulders and fabrics that defied gravity. Dramatic entrances? Oh, absolutely. Toyin Abraham herself changed outfits mid-premiere like she was hosting the AMVCAs and officiating a wedding. Meanwhile, Mercy Aigbe arrived in a literal carriage. Cinderella could never. This wasn’t just fashion—it was theatre. It was satire. It was celebratory chaos disguised as couture. Because let’s be honest: Nigerians don’t just dress for occasions. We dress as the occasion. So if you’re still wondering whether anyone took the theme too far, the answer is yes. Gloriously so. Scroll through the looks and take notes. Or better still—channel your inner Over Sabi Aunty and critique every one. Toyin Abraham Mercy Aigbe Bimbo Ademoye Veekee James Sandra Okunzuwa Eyinju oluwa Ify Mogekwu
Veekee James Steals the Show in Ghanaian Kente at “Iyalode” Premiere
In a moment that felt equal parts movie star and monarch, Veekee walked in draped in a custom Ghanaian kente gown that could’ve easily doubled as architectural sculpture—if buildings wore sequins and had better posture. The look wasn’t begging for attention. It already had it. Made in Ghana and soaked in West African artistry, the gown was a maximalist fever dream: rich reds, coral flashes, sneaky hits of green, and beadwork so intricate it could’ve passed for mosaic. Sculpted at the waist, clenched at the hips, and anchored by sharp, defined shoulders—Veekee’s silhouette was less “red carpet ready” and more “get out of my frame, I am the frame.” The scoop neckline? Soft enough to say, “I’m approachable.” The high braided updo? A quiet flex that said, “But also, I don’t do chaos.” And don’t even get us started on the red clutch—textured, tonal, and visually in sync like it was styled by intuition, not Pinterest. It’s not new for Veekee to serve a lewk. But what she did here was serve context. A nod to heritage. A lesson in tailoring. A warning shot to every influencer who thinks a corset counts as couture. The dress wasn’t just fashion. It was finesse. And for anyone still unsure if she knew the weight of what she wore? The smirk, the stance, the “I planned this months ago” glow on her face said it all. The only thing unchic about this moment was everyone else’s attempt to compete. See more photos. (Or just save them. You’ll need references.) Photo Credit: Veekee James/Instagram