JoJo Siwa Opens Up About Her Bond with Chris Hughes Amid Kath Ebbs Breakup
JoJo Siwa has recently addressed the nature of her relationship with fellow Celebrity Big Brother UK contestant Chris Hughes, following her public split from partner Kath Ebbs. During their time on Celebrity Big Brother, Siwa and Hughes developed a close friendship, sharing moments that sparked speculation among fans. Siwa described Hughes as “life-changing” and emphasized the depth of their connection, stating that he is “deeply embedded” in her life. However, she clarified that their relationship remains platonic, highlighting the strong bond they formed during the show. The closeness between Siwa and Hughes coincided with the end of Siwa’s relationship with Kath Ebbs. Ebbs expressed feelings of humiliation over Siwa’s on-screen interactions with Hughes, describing them as emotional cheating and boundary-crossing. Siwa acknowledged the unexpected nature of the breakup and is still adjusting to life post-show. Looking ahead, Siwa is preparing for her upcoming tour, which begins in London on May 26 and includes performances in major cities such as New York, Los Angeles, Dallas, and Boston. She has hinted at the possibility of reuniting with Hughes during the tour, suggesting he may join her onstage. Additionally, Siwa has expressed interest in participating in the UK’s Strictly Come Dancing, indicating discussions with her team about the opportunity. As Siwa navigates the complexities of her personal and professional life, she continues to engage with her fans and embrace new opportunities on the horizon. Reference: Irish Sun New York Post E! Online Tyla 9Honey Celebrity
Bella Hadid Launches Orebella in the UK: A New Era of Fragrance at Selfridges London
supermodel Bella Hadid has introduced her fragrance brand, Orebella, to the UK market with an exclusive launch at Selfridges in London. This marks a significant expansion for the brand, which debuted in the U.S. in 2024. Orebella is renowned for its unique alcohol-free, bi-phase formula that combines essential oils with hydrating ingredients, offering both skincare benefits and fragrance. The launch event at Selfridges featured an immersive pop-up experience, inviting customers to explore their personal aura through personalized consultations and exclusive gifts. This initiative aligns with Hadid’s vision of creating a brand that fosters emotional connections and wellness through scent. Orebella’s fragrance line includes four distinct scents: Window2Soul: A floral blend featuring notes of jasmine and rose. Salted Muse: An outdoorsy mix with sea salt, pink pepper, and amber. Blooming Fire: A tropical fragrance combining Tahitian monoi flower, patchouli, and bergamot. Nightcap: A warm and spicy scent with ginger, cardamom spice, and guaiac wood. Each fragrance is housed in a gemstone-shaped bottle, reflecting the brand’s emphasis on individuality and personal transformation. The products are priced at £32 for the travel size and £95 for the full size. Hadid’s personal experiences and sensitivities to traditional alcohol-based perfumes inspired the creation of Orebella. She aimed to develop a luxurious, clean alternative that aligns with current trends in skinification and self-care. The UK launch at Selfridges signifies a major milestone in Orebella’s international growth, with plans to expand further into other European markets. Hadid remains committed to maintaining an intentional and mission-driven approach as the brand continues to evolve. For more information and to explore the Orebella fragrance line, visit References: The Zoe Report, Vogue Business Vogue Business orebella.com HELLO! The Fashionography Fashionista
Kim Kardashian’s Skims to Open First UK Flagship Store on Regent Street
Kim Kardashian’s shapewear brand, Skims, is set to open its first standalone UK store on London’s prestigious Regent Street. Occupying the former Ted Baker location, the store marks a significant expansion for the $4 billion brand in its largest market outside the U.S. Skims, known for its inclusive range of shapewear, loungewear, and menswear, already retails through Selfridges and Harrods. The new store aims to offer a fuller brand experience and strengthen connections with British consumers. Plans are also underway to open additional stores in major European cities like Paris, Milan, and Berlin. Reference: Business Matters The Times The Sun
Clothed in Care, a Solo Exhibition by Goodluck JaneKampala, Uganda.
Umoja Art Gallery has concluded Clothed in Care, a solo exhibition by Goodluck Jane, presented from January 12 to January 17, 2025. The week-long exhibition brought together artists, cultural practitioners, guests, collectors, and members of the public to reflect on clothing and textiles as materials shaped by care, memory, and responsibility. In Clothed in Care, Goodluck Jane explored clothing as something lived with rather than simply worn. Through her work, textiles emerged as quiet witnesses to everyday life holding stories of protection, motherhood, inheritance, ritual, and emotional connection. Her practice positioned cloth as unique , also as a material that carries time, labour, and human intention. The exhibition focused on hands-on textile processes such as stitching, layering, mending, and reconstruction. These actions drew attention to care as a physical and ongoing practice that requires patience and commitment. By emphasizing process, Jane highlighted the unseen work involved in making and maintaining cloth, connecting it to broader histories of caregiving and domestic labour. Clothed in Care also raised questions about how clothing is valued today. In contrast to fast fashion and disposability, the exhibition foregrounded reuse, preservation, and emotional attachment to garments. Many visitors reflected on their own relationships with clothing how items are cared for, passed down, or discarded, and what these choices reveal about responsibility and connection. Beyond individual reflection, the exhibition opened wider conversations about culture and community. Jane’s work linked textile practices to both domestic and communal spaces, showing how clothing connects people across generations. Discussions during the exhibition touched on traditional knowledge, gendered labour, sustainability, and the role of craft in maintaining cultural continuity. By centering textile labour that is often overlooked or undervalued, Clothed in Care drew attention to the everyday actions that quietly sustain families and communities. This focus resonated strongly with audiences, particularly in relation to motherhood and caregiving as forms of ongoing, embodied care. Through this solo exhibition, Umoja Art Gallery reaffirmed its commitment to supporting artists whose work is rooted in lived experience and social reflection. Clothed in Care offered visitors a space not only to view art, but to think, feel, and engage in meaningful conversation. As the exhibition concludes, Clothed in Care stands as a thoughtful contribution to contemporary discussions around textile practice, memory, and responsibility. Through fabric, labour, and quiet gestures of care, Goodluck Jane’s work reminds us that clothing is not just something we wear it is something we live with, remember through, and care for over time.
Clothed in Care: Goodluck Jane Examines Care as Inherited Labour at Solo Exhibition.
Care is work long before it is ever named. It is learned through repetition, absorbed through proximity, and practiced quietly within domestic spaces. In Clothed in Care, visual artist Goodluck Jane presents a considered and material-led exploration of care as emotional, cultural, and inherited labour, carried not through language but through fabric, gesture, and routine. The solo exhibition will be presented at Umoja Art Gallery, Kampala, from January 12 to 17, 2025, bringing together a body of mixed media works that focus on how care operates within African domestic environments. Through drawing, painting, and the deliberate use of Ankara fabric, Jane centers material as an active witness to responsibility, intimacy, and time. In this exhibition, fabric is not symbolic. It is lived. Ankara appears as a carrier of memory, holding the residue of touch, maintenance, and obligation. It remembers what the body forgets. Jane’s work isolates ordinary, often overlooked gestures dressing another person, preserving clothing beyond its original use, using fabric for protection, comfort, or restraint and insists on their significance. These actions are repetitive and uncelebrated, yet they form the unseen structure of care within families and communities. Material functions as both subject and language. Familiar across African societies, Ankara fabric carries associations of labour, continuity, and belonging. Jane cuts, layers, and positions the textile with restraint and precision. Pattern and texture guide the viewer without excess. Nothing in the work is decorative; every element is purposeful, reinforcing care as an active and sustained responsibility rather than a passive emotion. Jane’s background in fashion design informs her disciplined approach. She understands fabric as something constructed, handled, worn, and maintained over time. This technical knowledge is combined with a visual art practice rooted in clarity and control, resulting in works that are grounded and deliberate. Each decision reinforces the exhibition’s central concern: care as something practiced daily, held in the body, and carried across generations. Figures within Clothed in Care appear in moments of closeness and pause. There is no spectacle or dramatization. Instead, Jane focuses on proximity, dependence, and trust. Stillness becomes a site of meaning, asking viewers to slow down and attend to surface, weight, and gesture. The works reward patience, offering depth through quiet observation. The exhibition also addresses how care is inherited. Many ways of caring are never explicitly taught; they are absorbed through watching and doing. Fabric becomes an archive of this transmission, recording family life, labour, and emotional exchange through use and wear. Presenting Clothed in Care in Kampala is significant. The city’s strong relationship with making, material knowledge, and storytelling provides a context in which the work can be deeply understood. Umoja Art Gallery’s commitment to contemporary African practice creates space for critical conversations around material culture, identity, and lived experience. By positioning textile as a primary medium, Jane contributes to wider discussions around fabric in contemporary visual art, disrupting traditional distinctions between art, craft, and design. Her work asserts textile as a critical, narrative-driven material capable of carrying complex emotional and cultural meaning. Clothed in Care forms part of Goodluck Jane’s expanding international practice and reflects a focused stage in her work marked by confidence, restraint, and a clear commitment to material-led storytelling. Visitors are not met with spectacle, but with presence. The exhibition offers space to consider how care shapes identity, how it is passed down quietly, and how ordinary materials hold the weight of emotional life.
Age Series, a Solo Exhibition by Mavic Chijioke Okeugo
Mavic Chijioke Okeugo is ready for his solo exhibition Age Series, on view from November 4–9, 2024 in Accra, Ghana Gallery 1957. Age Series is a powerful body of photographic work that centers on intimate portraits of elderly men and women. Through a refined visual language and an empathetic lens, Okeugo explores aging as a site of dignity, memory, and resilience. The series challenges conventional representations of older bodies, offering instead images that celebrate presence, depth, and lived experience. Rooted in portraiture, Age Series reflects on the passage of time and the narratives carried by those who have lived long lives. Each photograph serves as a quiet encounter, inviting viewers to pause and consider the emotional and cultural significance of aging within both African and global contexts. The exhibition will be presented within Gallery 1957’s contemporary exhibition space, providing an intimate setting that encourages close engagement with the works. Audiences can expect a thoughtful and immersive experience that foregrounds human connection and storytelling. Age Series marks an important moment in Okeugo’s practice, reinforcing his ongoing interest in identity, visibility, and representation through photography. The exhibition also aligns with Gallery 1957’s commitment to showcasing artists whose work engages critically with social and cultural narratives. The public is invited to experience Age Series from November 4–9, 2024 at Gallery 1957, Accra. Exhibition DetailsArtist: Mavic Chijioke OkeugoExhibition: Age SeriesDates: November 4–9, 2024Venue: Gallery 1957, Accra, Ghana
Goodluck Jane Presents Solo Exhibition Ankara Stories
Contemporary visual artist Goodluck Jane will present her highly anticipated solo exhibition, Ankara Stories, at the African American Atelier Gallery, USA, from November 17th to 21st, 2024. The exhibition marks a significant milestone in the artist’s growing international career and introduces a powerful new body of work to U.S. audiences. Ankara Stories features a compelling series of mixed-media artworks that explore African identity, memory, and everyday lived experiences through the expressive use of Ankara fabric. Rather than treating fabric as ornamentation, Goodluck Jane positions textile as a narrative language one that carries history, emotion, and cultural meaning. Working across painting, drawing, and textile-based media, the artist constructs each piece through meticulous layering of cut Ankara textiles, paper, and hand-drawn elements. The resulting compositions center on the human figure and intimate moments of daily life, reflecting how fabric is woven into family, community, and shared cultural memory. The works are tactile, emotionally resonant, and deeply rooted in personal and collective storytelling. Goodluck Jane’s artistic approach is shaped by her background: she comes from a family of painters and drawing artists and later received formal training in fashion design. This dual foundation informs her sensitivity to material, structure, and detail, allowing her to merge technical precision with expressive depth. In Ankara Stories, fabric becomes both medium and message speaking to heritage, resilience, and identity beyond its surface beauty. This exhibition represents an important presentation of Goodluck Jane’s work in the United States and builds on her expanding exhibition history across Africa and internationally. Ankara Stories invites viewers into a visual dialogue that is at once personal and universal, honoring African narratives through contemporary artistic expression. The exhibition will be open to the public at African American Atelier Gallery, USA, from November 17th to 21st, 2024.
Marvic Chijioke Okeugo Joins Photo Garage Lagos Artists Network, Elevating Professional Photography in Nigeria
Photographer Marvic Chijioke Okeugo joined the Photo Garage Lagos Artists Network (PGLAN) September 18th 2024, integrating into a professional community committed to fostering excellence, collaboration, and innovation in Nigerian photography. His membership underscores his dedication to advancing visual storytelling and contributing to the growth of the country’s photographic arts sector. Photo Garage Lagos Artists Network serves as a platform for professional photographers across Lagos and Nigeria, offering opportunities for exhibitions, skill development workshops, mentorship, and collaborative projects. The network aims to strengthen the standards of professional photography while providing a platform for emerging and established photographers to engage, innovate, and gain wider recognition. Marvic’s photography aligns with PGLAN’s objectives by capturing cultural narratives, urban experiences, and social realities through compelling imagery. His work demonstrates the power of photography as a medium for storytelling, cultural documentation, and societal reflection. The network features distinguished photographers who have significantly impacted Nigeria’s photography landscape. Notable members include Jide Alakija, renowned for his innovative portraiture and commercial photography; Aisha Augie-Kuta, acclaimed for documenting cultural and social narratives; and George Osodi, whose photojournalistic work captures Nigeria’s socio-political developments. Their achievements reflect PGLAN’s commitment to nurturing professionalism, creative excellence, and social relevance in photography. By joining PGLAN, Marvic Chijioke Okeugo becomes part of a collaborative network that promotes professional growth, mentorship, and the visibility of Nigerian photographers. His membership reinforces his commitment to photography as both an artistic practice and a tool for cultural storytelling, engagement, and the advancement of Nigerian creative arts on national and international stages.
Glory Agbonita Ehizuelen at Africa Hub Fashion Week 2024: Agbons-GL Designs Celebrating Heritage with Modern Grace
On September 15th, 2024, Africa Hub Fashion Week became a vibrant meeting point of culture, creativity, and innovation and at its center stood Glory Agbonita Ehizuelen, Creative Director of Agbons-GL Design, unveiling a collection that seamlessly fused African heritage with modern sophistication. Glory has carved her place on international runways by staying true to her mission: to tell Africa’s story through fashion while making it resonate globally. At Africa Hub Fashion Week, her showcase reflected that mission with bold clarity. Drawing from indigenous fabrics, intricate prints, and culturally symbolic details, Agbons-GL’s new collection was not just fashion it was a narrative of heritage, resilience, and pride. Each piece represented a conversation between tradition and contemporary elegance, proving that African design is not only relevant but essential to global fashion. The runway came alive with designs that blended strength and femininity. Flowing garments carried rhythm and freedom, earth-inspired tones and bold prints spoke of identity, while tailored silhouettes radiated confidence and timeless appeal. As models walked, the audience wasn’t just admiring clothes; they were experiencing a visual celebration of Africa’s beauty and cultural richness. For Glory, fashion has always been more than fabric. It is a platform for empowerment, sustainability, and cultural preservation. Her Africa Hub showcase underscored the brand’s dedication to ethical design practices, ensuring that creativity doesn’t come at the expense of heritage or the environment. Agbons-GL stands for fashion that uplifts, empowers, and endures. Glory Agbonita Ehizuelen’s showcase at Africa Hub Fashion Week 2024 was a defining moment not just for her brand, but for African fashion on the global stage. Her ability to honour heritage while embracing modernity has made her a voice of influence, reminding the world that African fashion is not a trend but a timeless force of creativity and identity. Agbons-GL Design continues to write Africa’s story through fashion bold, proud, and without end.
RELE GALLERY LOS ANGELES ANNOUNCES “UZO ANYA,” A SOLO EXHIBITION BY MAVIC CHIJIOKE OKEUGO
Rele Gallery, Los Angeles, is pleased to announce Uzo Anya, a highly anticipated solo exhibition by Nigerian visual artist Mavic Chijioke Okeugo, opening May 27, 2024, and on view through May 31, 2024. The exhibition marks Okeugo’s first solo presentation in Los Angeles and introduces a powerful new body of work that interrogates vision, perception, and cultural memory through contemporary fine art photography. Uzo Anya, an Igbo phrase meaning “the way of the eye” or “the path of seeing,” serves as both the conceptual and philosophical anchor of the exhibition. Through meticulously constructed images, Okeugo explores how Black bodies—particularly Igbo women—are seen, remembered, and positioned within historical and contemporary visual narratives. The works challenge passive looking, instead inviting viewers into a reciprocal encounter where the gaze is returned with clarity and intent. The exhibition features large-scale photographic works that blend documentary precision with painterly depth. Drawing from Igbo symbolism, ritual adornment, and ancestral presence, Okeugo creates images that exist between past and present, tradition and contemporary expression. Coral beads, textured surfaces, and controlled lighting function as visual language—signifiers of identity, dignity, and continuity. Presented in Rele Gallery’s Los Angeles space, Uzo Anya positions African photography beyond ethnographic framing, asserting it as a site of conceptual rigor and emotional resonance. The exhibition aligns with Rele Gallery’s ongoing commitment to amplifying African and diasporic voices within global art discourse. Speaking ahead of the opening, Okeugo notes that Uzo Anya is an invitation to reconsider how we look and what it means to truly see beyond surface representation and toward deeper cultural understanding. The opening reception will take place on May 27, 2024, welcoming collectors, curators, press, and the public to engage with this compelling body of work.